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One of the obligatory part of any comic opera are the buffo basses who are usually the real stars of the evening, leaving behind even the sentimental outpourings of the love couples. Most operas include one of the most important staples in the buffo repertoire: the duet for two basses as both babble their way through numerous breakneck patter sections. Rossini's first one-acters are continuations of this tradition as the small duet from "La cambiale di matrimonio". In a previous number the lovers have basically threatened Slook, a rich Canadian and a possible suitor of the heroine, with bodily harm, unless he leaves town immediately. In the present duet Slook offers to the heroine's father, Mill, to pull out of the marriage contract. This revelation instigates the duet, as Mill inquires as to the reason behind Slook's decision, while the latter remains rather vague. Mill feels slighted and challenges the Canadian to a duel. The whole duet is rather unusual in the fact that it utilizes a structure that makes it into a dialogue rather than a typical set-piece. Anyway, it has an irresistible appeal, moreover, I love the very prominent strings which add much to the excitement. Two Brunos, Bruno Pratico and Bruno de Simone, veteran Rossinians, show us how it should be done. Enjoy :)! |
